By Lorna Crozier, Catherine Hunter
Lorna Crozier’s radical mind's eye, and the finely tuned emotional intelligence that's published within the readability of her poetry, have made her one among Canada’s most well liked poets. sooner than the 1st be aware: The Poetry of Lorna Crozier is a suite of thirty-five of her most sensible poems, chosen and brought via Catherine Hunter, and contains an afterword by means of Crozier herself. Representing her paintings from 1985 to 2002, the gathering unearths the big variety of Lorna Crozier’s voice in its so much lyrical, contemplative, ironic, and witty moments. Hunter’s creation discusses the poet’s significant subject matters, with specific cognizance to her feminist method of biblical fable and her fascination with absence and silence as websites for innovative revision. Crozier’s afterword, “See what percentage Ends This Stick Has: a mirrored image on Poetry,” is a lyrical meditation that offers an inspirational glimpse into the philosophy of a author who prizes the depth of wisdom that poetry calls for, and is tantalized through what predates conversing and all that cant be named. an enticing quantity that might entice undergraduate scholars in addition to basic readers of poetry. Lorna Crozier’s paintings has gained many awards, together with the Governor Generals Award in 1992 (for Inventing the Hawk), the 1st prize for poetry within the CBC Literary pageant, the Canadian Authors organization Award for Poetry in 1992, a countrywide journal Award in 1995, and Pat Lowther Memorial Awards (1993 and 1996) for the simplest ebook of poetry through a Canadian lady. She has released fourteen books of poetry, so much lately, Whetstone. Born in quick present, Saskatchewan, she now lives in British Columbia, the place she is a amazing Professor on the collage of Victoria.
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Additional info for Before the First Word: The Poetry of Lorna Crozier
When one of the girls was occupied the bartender flipped a doll onto her back and when he righted her another miner climbed the stairs. The “Red-Rock Ladies” they were called and on the wall a turn-of-the-century photograph. Four small-town girls open-faced and plump look out at you like someone in an ad for milk or someone you used to know, that quiet girl who caught the bus to school from Olds or Antelope or Manyberries, the one who ate her lunch outside alone. The Poetry of Lorna Crozier / 27 They’re in their Sunday best, long skirts, high collars, all the buttons buttoned up.
M. m. and the dépanneurs are open just for you. White cartons, blue cartons, silver cartons that mirror your face. Behind the counters, the young men who work the night-shift unwrap the cellophane as lovingly as you undo the buttons of a silk shirt, your fingers burning. • Your cat is grey. When he comes in from the muddy lane, his paws leave ashes on the floor. The dirty burner on the stove smokes, the kettle smokes, your first, your last cup of coffee demands a smoke. The snow on the step is a long Vogue paper waiting to be rolled.
In Montreal there are stores where you can buy one cigarette. Cars parked outside, idle, exhaust pipes smoking. Women you could fall in love with approach you from the shadows and offer a light. The sound of a match struck on the black ribbon of a matchbox is the sound of a new beginning. In every dark room across the city, the fireflies of cigarettes are dancing, their small bodies burning out. • Dawn and the neon cross on the mountain melts in the pale light. Another day. Blindfolded and one last wish.